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From 1965-1981, he served as house designer for Mergenthaler Linotype, the company that had invented linotype nearly 100 years before and, during Carter’s tenure, Linofilm. (Punchcutting involves transferring letterforms onto the ends of short steel bars that are then used to create the brass molds for casting lead type.)īy the early 1960s, however, Carter was heading the typographic program at Crosfield Electronics, the British manufacturing agent for the Lumitype phototypesetting machine. Rädisch, one of the craft’s true masters. in Steinberg Auditorium.Ĭarter’s 40-year career spans a technological revolution in type design, from the days of hot metal foundries and linotype assemblers to the introduction of commercial phototype in the 1960s and the modern era of desktop publishing.īorn in 1937, Carter is the son of renowned designer Harry Carter and originally trained as a punchcutter at the Ensche type foundry in the Netherlands with the legendary Paul H. That evening, he will lecture on “Truth to Materials in Type: Printer Fonts and Screen Fonts” at 7:30 p.m.
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In addition, Carter will participate in a panel discussion on intellectual property rights and typography at 4:30 p.m. Typographically Speaking will open with a reception for Carter from 6-8 p.m. The exhibition includes dozens of drawings, sketches and printed examples - drawn largely from Carter’s own archives - documenting the creation of the fonts Bell Centennial (1978), the standard for telephone directories ITC Galliard (1978), ranked by design critics as one of the 20th century’s most significant design accomplishments and Microsoft’s Verdana (1994) and Georgia (1996) families, among many others. An opening reception will be held from 6-8 p.m. The School of Art is presenting *Typographically Speaking: The Art of Matthew Carter* at its Des Lee Gallery. The School of Art is presenting Typographically Speaking: The Art of Matthew Carter at its Des Lee Gallery, 1627 Washington Ave.Īn alternate ITC Galliard italic ‘g,’ whimsically drawn by renowned type designer Matthew Carter. Matthew Carter is among the preeminent type designers of the 20th century, an artist whose work has helped shape the familiar graphic looks of Time, Newsweek and Sports Illustrated as well as The Boston Globe, The Philadelphia Inquirer and The Washington Post.